As you know, we at The North Korea Blog were the first to record a podcast from inside North Korea. We’ve launched three so far — one at the mystical Mt. Myohyang during our first trip, one back in Los Angeles reflecting on the journey, and a third on our second trip to North Korea.

Jordan’s terrific Pickup Podcast has been an awesome venue to share our amazing adventures. And now he’s just released a third bonus episode: North Korea, Round 3.

Pickup Podcast Guests

In this installment you’ll hear from Jordan, Captain Joe (the man formerly known as Sailor Joe; he got promoted) and a bunch of Art of Charm alumni as they trek it out to North Korea at the highest point of tension between North Korea and the rest of the world. It’s a fun, on-the-ground recording of what it’s really like to visit this amazing place.

Enjoy! And for more information about traveling to North Korea, check out our latest North Korea trips and travel information.

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North Korea makes appearance in ‘World War Z’

by Gabriel Mizrahi on June 6, 2013

World War ZNorth Korea continues its bizarre popularity with a cameo in the upcoming apocalyptic thriller World War Z. Explains The Hollywood Reporter:

Although it’s not entirely clear how Gerry’s experience with terrorist actions in Chechnya and Africa make him the world’s No. 1 go-to guy to solve the zombie problem, the bearded, long-haired dude [played by Brad Pitt] is instantly dispatched to rainy South Korea, where he is advised that the North Koreans have cleverly nipped zombieism in the bud through mandatory nationwide teeth extraction.

 

Awesome. I just wish they actually showed how those teeth extractions went down. Because this is what a dentist’s office in North Korea looks like.

Not fun for anybody. But then, as Kim Jong Il once said in his famous 1970 talk to writers and film directors,

If they are to give people a correct understanding of a happy life, writers must maintain a firm working-class stand and clarify the revolutionary content of this life … Our contemporaries need the kind of art which clearly shows that the real ideal and happiness of people lie in devoting all their strength and talent to the struggle for the country and society, instead of thinking about their own comfort.

Because what’s a few teeth for the greater good? Even if they’re your teeth? Indeed, especially if they’re your teeth! Lay down your individual wants and devote your molars to the revolutionary struggle! Cast away those capitalist affects of dental vanity! Juche is no more teeth cleanings!

In other words, nailed it. Or did they? Continues our esteemed film critic:

Works dealing with the socialist situation must show life truthfully as it is; they must not beautify or decorate it. It is bad to belittle life. However, it is also not good to exaggerate it. If you describe something which does not exist in fact, or over-paint life, instead of giving a truthful picture of things as they are, you will distort the essence of life and will not show the real advantage of the socialist system correctly. Then people will not believe such a life exists.

World War Z scribes, take note: Your over-painting has distorted the essence of life, and moviegoers the world over will fail to understand the socialist system correctly. They totally would have believed such a life exists. Now they’ll just be entertained. Really entertained. To suggest otherwise would be lying through my teeth.

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A walk through the Pyongyang Film Studios (aka Cholliwood, the best pop-culture portmanteau ever) tells you a great deal about the tone of North Korea’s legendary film industry. The menacing dragons hanging from the imperial Japanese sets, snarling and snaking, talons drawn and unmistakably evil; the hedonistic haunts of the South Korean sets, drowning in bawdy movie posters of American films, the impassive hazel eyes of “The Seven Year Itch” poster gazing down, eyebrows painted, lips pouty — you get the idea. But the choice in poster is perfect, isn’t it? It was only two years after the 1953 armistice that Billy Wilder tempted the dutiful Tom Ewell with Marilyn’s charms. It wasn’t Wilder’s best, but people watched, and laughed — after all, aren’t these the shenanigans cinema is meant to capture?

Not quite. Enjoy, for a moment, one of the more obscure arguments by the DPRK’s chief film critic, who once reminded his cadre of A-list Cholliwood writers that

The important mission of literature and art is to serve our Party’s revolutionary cause of revolutionizing and working-classizing the whole of society.

Revolutionizing and working-classizing all the members of society is the historic task of the working-class party after the triumph of socialist revolution. It will be impossible to continue the revolution and succeed in the building of socialism and communism unless the remnants of outdated ideas are eradicated from the minds of the working people after the overthrow of the exploiting class …

The most important thing in training people to be true revolutionaries, communists, is to implant deep in their hearts unreserved loyalty to the Party and the revolution. Our literature and art must pay primary attention to this matter and make a strong impression in dealing with questions arising in fostering loyalty to the Party and the revolution …

If they visit places where they can be in the thick of things and delve into the lives of the working people who are implementing the Party’s policy devotedly and are making incredible successes and innovations, writers will be able to discern important questions, such as what is the meaning of the most worthwhile life in our revolutionary era and how one must cherish and express loyalty to the Party and the revolution …

For instance, if you are to take up the subject on the revolutionization and working-classization of people, you must pick and give a profound exposition of one aspect after another of those problems which are raised in revolutionizing the people in question in the first place and then their families, sub-workteams, workteams and, finally, their workshops.

Some people do not grieve at seeing valuable equipment and materials of the state being spoilt by exposure to the rain and snow. If you depict their life in depth from the point of view of revolutionization, it will greatly help the revolutionary education of people.

Kim Jong Il, “Let Us Create More Revolutionary Films Based on Socialist Life,” talk to writers and film directors, June 18, 1970

With that in mind, enjoy this clip from The Great North Korean Picture Show, the most fascinating glimpse into the making of North Korean cinema I’ve seen. You can access the full movie on Vimeo. And read up on the unique making of the film. The ambiguity of filming in North Korea runs deep.

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The Pyongyang Film Studios

by Gabriel Mizrahi on May 31, 2013

A walk through the Pyongyang Film Studios, May 2013.

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A Welcome Crack in North Korea

by Gabriel Mizrahi on May 27, 2013

North Korean Pizza ChefOn this Memorial Day, as we think about the soldiers who served in that bleary, mythical three-year conflict, we are tracking a new story coming out of Pyongyang. A government economist reports that North Korea has relaxed state control of salaries in an effort to boost performance.

Reports the AP:

The new policy gives managers of factories and other businesses the right to determine workers’ salaries if they are able to improve productivity. The change follows a similar move last year to give managers at North Korean farms more power to make management decisions and to allow farmers to keep any surplus harvest to sell or barter instead of turning them over to the state.

Hold your applause. This is welcome news, to be sure, but far from a systemic shift to capitalism (or anything like it).

Still, these are the reforms that create the cracks. Cracks are interesting. Cracks have a way of spreading. Watch this crack.

 

Photograph by Joseph A. Ferris III

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Why Andrei Lankov Is My Homeboy

by Gabriel Mizrahi on May 23, 2013

Andrei LankovAs you know from our North Korea Instagrams, tweets and posts from the last few weeks, I just returned from another fascinating trip through the People’s Paradise, and not a moment too late. Jordan and I landed in Pyongyang in the thick of the “war” breaking out between North and South — remember that? — when the DPRK ripped up that little armistice with the U.S. and went balls-to-the-wall with its nuclear program and threatened to bury South Korea in a “sea of fire” and Kim Jong Un was about to prove that the world is much smaller than we think by sending some long-range greetings to Washington, D.C., Los Angeles, and, for some reason, Austin, which I can only assume is retribution for SXSW selling out.

Or, as a local in Pyongyang put it to me, “Distance from here to Guam? 3,000 kilometers. From here to Hawaii? 7,000 kilometers. From Pyongyang to Washington? 10,000 kilometers. You know why I say this?”

I nodded. I’m pretty good with subtlety.

“You think we can reach it?” he asked.

“Do you?”

“I think so.” Then he squatted on the sidewalk, lit up a Cabin, and cat-called a Pyongyang traffic girl.

That’s pretty much what the recent shenanigans on the peninsula feel like to me. Speculation, threats, amplification, reaction, braggadocio, alternating under- and over-estimation of what the country can do — followed by a dull fizzle when we remember that the news cycle has the worldview of a paranoid schizophrenic and the attention span of a twelve-year-old Jackass fan who quit his Adderall cold turkey. It’s been 60 years since the war “ended,” and yet we still respond to these gambits with predictable horror. Readers of The North Korea Blog, of course, know the crucial role that fear plays in the upkeep and stability of these regimes. There must be an enemy foaming at the mouth, ready to attack at any second, to justify the strong, loving hand of the state. Outside of the country, the specter of war is equally important, just to keep the powers that be (the U.S. aggressors, the Japanese wolves, the South Korean puppets) on their imperialist toes. It brings us back to the negotiating table, back to the concessions and the promises and the if-we-give-this-and-you-stop-that-will-you-pleases. It works. Hackneyed, thin, mind-numbingly self-interested — but effective.

So I wasn’t going to cancel my trip just because things were getting a little Strangelovey on the peninsula. (Recall my initial reaction to the nuclear test that kicked off this latest scare.) If anything, the manufactured war would only make visiting the DPRK more entertaining. Taedonggang in hand, smile on face, I was assaulted by one question over and over in the Yanggakdo, still brimming with tourists making fun of the imperialist cowards who canceled their trips. “Aren’t you afraid to be here right now? Aren’t you worried war is going to break out any moment?” A quick passage through the Pyongyang Airport (where I was once questioned, searched and swiped like it was The Lives of Others) and a jaunt to the De-Militarized Zone took care of that. I’ve never seen North Korean soldiers so chill before. Their main occupation seems to be posing for photos and reciting the standard script for visitors to Panmunjom. Sorry to burst the Drudge Report bubble, but this is not a country at war. It just isn’t.

Which brings me to my point about Andrei Lankov and why he’s my homeboy.

On the required list of reading for you DPRK-philes out there, Mr. Lankov’s is on top, and not just because he knows the peninsula like it’s nobody’s business (having studied, remarkably, at Kim Il Sung University in Pyongyang before defecting to the puppets in South Korea, where he teaches at Kookmin University), but because he brings a no-nonsense realism that recognizes the DPRK for what it is without condescending to marginalize the place as an irrational live-action 1984.

It was Lankov, after all, who told us (in the New York Times, no less) to “stay cool” and “call North Korea’s bluff” when the narrative started to smack of Brig. Gen. Jack Ripper, and gave credit where credit was due by recognizing the DPRK’s nuclear legerdemain, “another brilliant example of their skill.” He urged us to look south to the place that spawned Gangnam (the more impressive of the two), where the souls with a front-row seat to immolation were sipping lattes in Seoul with a “calm indifference.” Practice, after all, makes perfect. 60 years of saber-rattling, and the saber loses its edge. “The farther one is from the Korean Peninsula,” he reminded us, “the more one will find people worried about the recent developments here.” Well said. You can understand why it was Lankov that I forwarded to my mother while I was packing for the DPRK. I can’t say he made her feel any better in April, but he got something even better when I landed at LAX safe, satisfied and on my usual DPRK high: Vindication.

And now Lankov is getting much-deserved coverage for his book, The Real North Korea, which is in my queue and which we have added to our required reading for North Korea. The best review comes from the always delightful Economist (the same publication that tempered speculation a few weeks back by calling Pyongyang’s jingoism “a version of ‘Dad’s Army’ in totalitarian drag”), which commends Lankov for getting the DPRK right. This is, after all, “the world’s most rational despotic regime: a highly successful Communist absolute monarchy,” a place that does not get enough credit for being a survivor. Gaddhafi’s golden statue crumpled, Egypt made Tahrir Square a world-defining hashtag, Syria is disintegrating as we speak — and yet the Kims remain. The book is not an apology to the dynasty, of course — just read the subtitle — but an incisive, “unsentimental” (this is important) look at a country with some serious staying power. “The Kims are playing a long game,” writes the Economist, and Lankov explains how. They can cite the distances between Pyongyang and D.C. all they want, but we all know how that would end. They do too. A sea of fire, indeed.

Where others speculate, bloviate or — most commonly — simply entertain by summarizing Korean provocations into bone-chilling headlines that further obscure an already obscure regime, Lankov grounds us in realpolitik and common sense, of which there is an unfortunate dearth when it comes to the hermit kingdom.

All of which is to say that in addition to being smart, honest and well-informed, Lankov is our homeboy. Follow him closely.

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The North Korea Traffic Girls

by Gabriel Mizrahi on May 22, 2013

The North Korea traffic girls are one of the most iconic fixtures of Pyongyang.

Diligent, focused, adept with those baton-thingies, and distractingly beautiful — maybe not the safest quality for a traffic guard, but hey, it’s a look – the traffic girls of North Korea keep traffic moving and Korean nationals staring between the hours of 6 AM and 10 PM.

Below are some of our favorite photos of the Pyongyang traffic girls, courtesy of the now-infamous American in North Korea. (Anyone know where we can get one of these outfits? It’d make a killer Halloween costume.)

 

Pyongyang Traffic Girl

[click to continue…]

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USS PuebloReports The New York Times:

China revealed on Sunday that North Korea seized a Chinese fishing boat this month and detained its crewmen, who remain in custody, an episode likely to worsen recent discord between the two.

So much for China’s sugardaddy status.

The NYT concludes that

in recent months, undercurrents of discord have seeped into the two countries’ relations.

Because this situation is getting straight-up aquatic.

 

Photograph of the captured USS Pueblo by Andrew Lombardi

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Weird Twitter on North Korea

by Gabriel Mizrahi on May 17, 2013


What if the boys go on twitcam

Indeed, what if the boys do that?

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The Jucher Tower and the Three Workers

by Gabriel Mizrahi on May 16, 2013

North Korea Juche Tower and the Three Workers

Pyongyang, North Korea

May 2013

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